Monday, 17 January 2011

Tony.
Dead. Feet on the ground and my hands by my side. A piece of me was gone forever. My heart hurt and heavy sinking into my stomach. My insides churning. My palms sweating. A friend of mine had died. Unable to speak I found myself lost amongst a thousand thoughts spinning in my head. I could taste nothing but the fear of what was next, my mouth dry and my taste buds craving water. I couldn't eat. I couldn't drink. I couldn't cry.
28th July 2006. My best friend Tony died. I remember his smile, his shining intense eyes, I remember his touch, and his wonderful and memorable laugh. I remember how I loved him and still do. Almost summer time and the air filled with the smell of freshly cut grass, the city buildings tall and still. Time stopped when we were together. He used to hold my hand, and his grasp on mine seemed never ending.
"A rare sight to see Tony smile" people would say, and this was true. He didn't have things easy. He lost his mother, his father was aggressive,  no siblings to hide with, on anti-depressants and stuck in a dead end job. He had the world against him. He smiled when I was there. Tony had a certain poetic being about him and complimented the world around him but never once did I hear his tender voice compliment himself.
Beep. Beep. Beep. Hospital machines a familiar sound. My fourth trip to the hospital to see my friend lie still. Mutterings behind me, the doctors knew him well. An overdose they told me, a suicide attempt. I simply held his hand in mine, and whispered in his ear "I'll be back my darling, tomorrows morning I'll be here".
Then I could not cry.
I told him how I love him, how I need his special touch, how every second without him was simply far too much. Walking home together through the city streets. The buildings tall and still. The smell of freshly cut grass was gone. We said goodnight and parted. We went our separate ways. The streets I walked were quiet then. All I could think of was him.
Then I could not cry.
The weeks after the previous trip to the hospital seemed endless. Like time itself had stopped. His threats of suicide became more frequent; his poetic charm was lost amongst his words. Fowl words. He took up a filthy habit we call it drink and drugs. The boy I knew was distant forever lying still. An unbearable effect this had on me, thoughts spinning in my head.
We spent his last night talking, his constant threats a routine. I ignored them all. I told him how I love him, how I need his special touch, how every second without him is simply far too much. I told him he should sleep on it, he told me life's untrue. I plainly said "I love you." The land of dreams was calling. I couldn't stay awake. My eyelids slowly closing. I had given in.
I woke up late next morning, all was quiet and still. The technology that lay next to me shone bright. I'd received a text. Clocks ticking, minds spinning, Tony was okay! Heart lifted, eyes widening, Tony was okay! Clocks ticking, minds calming, Tony was okay! Text open, words exposed. Tony wasn't okay. I remember those words to this day. They read:
"Tess, Tony's gone. His threats were real. OMG you OK? Get back to me ASAP baby xxxxxxxxx Vix"
Then I could not cry.
Clocks ticking. Loudly. Mind spinning. Frantically. Heart sinking. Heavy. Eyes closing. Not real.
his funeral came so suddenly. His friends, no family surrounding me. I sat still and quiet. everything had always been, still and quiet. The people around me shed tears and said goodbye. I could not face him.
Even then I could not cry.
Next Monday morning I received some mail, the return address unknown.
"A note from your beloved" It read.
"Tess, were do I start with Tess. Your smile amazes me, your compliments uplift me. You're my princess. I'll always watch over you. I love you"
My trapped tears unleashed, falling harder than ever. Tony had said he loved me.

Monday, 10 January 2011




Demons
We all have demons. Dark, dark demons we bury so deep and try to hide. I hate my demons and my demons love me. They turn me into a creature I despise and I try and escape. But when I do I end up in a world full of gloom, anger and grief. My demons created this world. They attack me from all angles and leave me with battle scars to deep my mother couldn’t nurse me back to health. I feel uncomfortable and on edge. Who do I trust? Who do I love? Who can I show my demons to? I feel you whisper. I feel your eyes watching me, lurking in the darkness. I feel the cold atmosphere my demons created. I want rid of my demons. I want it to be like it was when we were younger. No change. No cares and no worries. I want it to be simple. I want to control the demons, not have the demons controlling me.

Show me a garden.
This is place of memories. Sad memories. Memories growing and nurturing what grows from the soil. A life is taken and helps produce another. A form of beauty. Cold and honest beauty we see in the nature that surrounds us. Someone who meant the world to me. Someone who is now the world. If I lay beneath your twisted branches and amongst your tangled roots will you love me back? Will you give me the warmth you used to but can’t anymore. I love you and miss you. You are the light in my darkness. I need your grace to read my needs. All that I am. All that I ever was is here in your perfect form. If I lay here beneath your twisted branches and amongst your tangled roots will you show me a garden bursting into life?
LIFE SIZE! This took me about a week, I wanted to use flat colours, because that's more my style of working, I used acrylics to paint it, and a stencil printed on acetate and cut out sections for a repetitive look. I didn't want a picture where I was just stood about looking ordinary, I wanted to make it more personal, this is a pose I do when I'm out with my friends so I thought I'd use it for my portrait.
 This is a facial portrait we were asked to do after our lifesized ones, we had to paint our backgrounds green and paint our faces onto a green background, loads of people on foundation questioned it as if they've never heard of this technique to help draw out better skin tones etc. I used oil paints, as they give a much more realistic finished product and are easier to work with for this kind of task, rather than a media such as acrylic. I cut out my image and stuck it on white paper as it looked messy before.

These are the BEST markers I have ever used! Utterly fab, I got them for christmas, they give such a flat colour! Really good for my Graphics work.

Typography - Graphics:
I loved this project, utterly loved it. We had to come up with our own font, but I got a bit carried away and did more than one.


Simple font, filled with lines + shadowing.


Dripped wax, alphabet on stems as flowers.


The first letter of a brand e.g Thorntons for "T", brand logos e.g Nike for "N"


Cats simplified and shaped (enlargement below), Geometric based.



Hearts, re-did the hearts (below) because on the other side I'd tried to do a font based on cross stitching which showed through and more calligraphy based.



Bands e.g Alice Cooper for "A", can you guess who they all are (below)? Sketchy line drawn based font



MONSTER FONT!



Three layers of cardboard graduating into smaller layers


"Shaven Sheep"




Wednesday, 29 December 2010

TYPOGRAPHY!

I'm so excited about this Graphics brief, I've done a fair bit for it, but I need to numbers too argh! Emma why do you do this to us?! Emma is our Foundation Graphics teacher by the way....

Wednesday, 24 November 2010

SO YESTERDAY WAS MY BIRTHDAY!
I'm scared now though, because I'm 19, this is the last year of my teens and my friends keep telling me I'm nearly half way to 40 :/ I'm sorry but what! I feel old! I have no new finished work as yet, but I have started putting my portfolio together, I bought some good quality plastic wallets to present my work in and my folder will have a bit of  a spruce up too, but I don't know what I'm going to do with most of my work that's not going in because it's all so big :/ ideas? I have no storage in my room and I have no space left in the cabins at college unless I want it to get ruined.
I've looked at so many uni's now, and I think I have my top 5. I think. I'm so excited to move out and be independent. I'm even more excited to start the rest of my life doing something I love and would never be without. Art. ♥. I'll miss all my friends of course, and I hope I can get a transfer for my job, because I love H&M.
I have three briefs to do. I have a Graphics one, which is a little silly I must admit. Duster slippers for cats?! HAHA! and "Seven" is the title for art and photography. I need to get started really :/

Sunday, 21 November 2010

So this is basically what I've done in foundation...

Well, admittedly it's not all my work. That would be crazy. I have three sketchbooks. Graphics. Photography. Art & Textiles combined. This is just some of the work that's in my space on my wall, there's also my Graphics posters that you might have seen from an earlier post. I've recently become fascinated with lines, evenly spaced creating what I think is something really quite beautiful if I do say so myself. All the lines are hand drawn and not traced so there are a few wobbly parts, but would you really expect perfect lines drawn free hand? The below piece wasn't actually going to turn out like this but I'm so ruddy glad it did! I dripped coffee on the paper, but the drips turned out slanted because I did it whilst the canvas was vertical on a washing line we have in our cabin to dry our work on. But oh my god, look what I just found! http://bumbumbum.me/2010/04/21/heike-weber-installations/
This is gorgeous!

Abstract ink printing and hand drawn lines

Watercolour, leaving negative spaces
 The below piece was one of the first things we did with Shaun, our art teacher/head of department. It was a group exercise. One person starts with pencil, charcoal and then pen, layered up to create different details and textures. The charcoal works best on this one.

This is Emma. Who was on my art foundation but is sadly no longer with us. I don't normally draw but I thought I'd do this for Emma, in memory of her and to practice my skills a bit more. Some people have given me a few comments on it in college, but, well done me for doing something other than painting and sculpting!


This is my work space within the cabin, we had to present our work that we've done so far, you can't really see it that well but there is a maquette hanging from the ceiling on the right hand side and some 3D stuff on my table and a paper maquette on the wall above my table. So far I have done, mono printing, lino printing, printing with ink (pink piece, top left), painting with acrylics, painting with watercolour, drawing with charcoal, graphite pencil, HB pencil, pen, clay sculpting, made a hat, and used an empty bottle filled with strips of paper that say "binge" repeated, sculpted with wire and string, sculpted with paper, sellotape, string, foil and tree branches to make a tree, I've written a short story, made a textile postcard and used Photoshop. So far so good I think on the whole experimenting with different medias.


Wednesday, 17 November 2010

MY MANIFESTO

For me, as an artist, art should be exciting and should be able to inspire and spark something in a person’s mind and imagination. My work tends to be based around 3D design as I aspire to be a stage designer. My work has always been abstract and I find it’s something that most people initially reject as “art”, but I think if abstraction is given a chance it can be personally related to, as everybody interprets art in a different way, as no two minds think exactly alike.


My ideas for my artwork mainly spark from my everyday experiences, from sculptures I see in galleries to architecture that surrounds me, photographs and quotes I find online, photography has even influenced the way I see things. The list is endless but essentially everything I see, do, touch and hear influences the way I interpret things and comes across in my final piece of work.


When it comes down to my creative process, I have always aimed for one thing in particular. If I can make just one person think “wow” or influence them in some way shape or form then I will feel content and satisfied and this is what drives me to create more and more work. When I saw Henry VIII at the Manchester Royal Exchange theatre, the set utterly blew me away. The way it was so simple yet so powerful, and the way this simple set was adjusted and transformed throughout the play was so clever. Without this, the performance would not have been the same. Ingenious creations like this are what influence me.


Artists that have inspired me over recent years and have grown to become two of my favourite artists are Robert Rauschenberg and Michael Bosanko. I love how Rauschenberg’s paintings are an assortment of found objects boldly displayed against a bespattered background. What I like about Bosanko’s work is that it’s so cleverly composed and to me seems almost dream like, with his use of vivid colours against the dark nights sky are just enchanting.

http://www.michaelbosanko.com/portfolio106527.html


Doing photography has developed my artistic eye and I always try and see things in their best composition. Being brought up in a major city, most people actually overlook a lot of the architecture of the buildings that surround them. I like to be able to look above eye level and see a completely different side to what surrounds me, which most people will never take notice of, I find this fascinating and almost like an undiscovered secret of my own.


Without art, my life would be completely different. As a person I can change my mind frequently but one thing I have always been sure of is what I want to always include in my life and what kind of career I want in the future, and it’s an artistic one. My ultimate dream is to be a stage designer for theatres and with my passion and drive, I believe I can make this happen.